Saturday, July 18, 2009

world music cd cover The pizzica (also known as pizzica pizzica and pizzica taranta) originally was the music of tarantismo, a cultural phenomenon that emerged in the southern Salento peninsula of the Puglia region. Music and dance were employed in a symbolic ritual to cure peasants, mainly women, from illnesses purportedly caused by the poisonous bite of the tarantula... The spider's bite, however, was a metaphor for other conditions, such as grief, depression, and sexual frustration. Dancing the pizzica was a culturally-sanctioned and collective way for poor, politically disenfranchised peasants to act out and exorcise individual psychological conflicts. George De Stefano looks at two new recordings that explore the ancient roots of this music and then shatter the preconceptions: Rione Junno's Taranta Beat Project and Mimmo Epifani's Zucchini Flowers.
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world music cd cover Take a look at the Danish folk music scene and you will find a wide variety of subspecies. Folk musicians throughout the country specialize in many different types of folk music, so, though it's a small country, an unusually broad selection of musical styles is represented. Some musicians travel around with bands designed specifically to play concert series in Danish schools, others are so knowledgeable about the many musical traditions in Denmark that they can offer precisely the right drinking song or dance tune to weddings or harvest parties in any given region . And of course there are a good many bands that specialize in playing the clubs and little venues round the country and abroad, actively spreading the word about Danish music and culture. The Danish-Swedish group Trio Mio falls into this latter category. The musicians in Trio Mio are the Danish violinist Kristine Heebøll, pianist and accordionist Nikolaj Busk, also from Denmark, and the Swedish guitarist, bouzouki player and singer, Jens Ulvsand. The three have such widely differing backgrounds that it was a stroke of good fortune that they found each other at all.
Morten Alfred Høirup talks with the musicians of Trio Mio.
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Video Feature

Staff Benda Bilili

Street musicians from Kinsasha in a recording studio getting their proper sound

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world music cd cover I have been following mandolinist Patrick Vaillant's career for pretty much its entirety (well, its recorded entirety, anyway). From his amazing folk and avant garde work in various ensembles with Riccardo Tesi through his remarkable ensembles like the mando-centric Melonious Quartet. Of late he has been exploring songs instead of strictly instrumental work and Chin Na Na Poun offers one of his most unique works to date in a trio with Daniel Malavergne and Manu Théron...
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world music cd cover It's been a long time since new music by Mali's Oumou Sangare has been heard outside her home country. The 1997 album Worotan (Sangare's last full-length international release) was refined, tart, with sharply defined rhythms and soaring vocals of wassoulu. Sangare spent much of the next decade engaged in business and humanitarian pursuits as fans worldwide eagerly awaited her return to making music on more of a full time basis. And now that time has come with Sangare's new disc Seya (Joy), recorded mainly in her hometown of Bamako. ...
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Malian Midwife in front of clinic "A Malian proverb says that a woman in labor has one foot on earth, and one foot in the grave. The proverb is all too true: a woman in Mali has a 1 in 15 lifetime chance of dying from childbearing complications... For most Malian women, auxiliary midwives, or matrones, are first and only health care provider they will ever see. Mali Midwives facilitates continuing education opportunities for rural matrones in Mali."
Former RW reporter Craig Tower has a new mission in Mali. Read more

World Music "We started out to find bridges built long ago with Mexico instead of the walls which, unfortunately, are now going up. We found the vigas of a musical bridge and we are re-constructing it." Based in Albuquerque's South Valley, Los Jaraneros are founder Victor Padilla, Felipe Lucero, Antonio Aragon, Teresa Slack, Rafaelita Gonzales, Lorenzo Candelaria and Ricardo Maes. Los Jaraneros' bridge is son jarocho, a folk music style until recently little heard in New Mexico, where the ranchera, norteno and mariachi styles of Texas and Chihuahua are more evident. Son jarocho originated centuries ago far from El Norte, in the balmy Gulf coastal region of southern Veracruz, where the annual late January Fiesta de la Candelaria showcases regional poetry and son jarocho. This music is the complex heritage of a transcontinental cultural journey, linking African influences with European and Native American styles, instrumentation and outlook. Read more

world music Genticorum is a band of trickster conjurers, performing rhythmic sleight-of-hand on the dance music of their native Quebec. They have the wry, slightly skewed attitude of a cabaret emcee, dropping the occasional naughty joke into their songs just to watch the audience titter in guilty delight. Even the band's name is nonsensical, evoking what? A quorum of gentle folk? A gentleman's forum? Who knows? The trio has three albums under its belt, the second of which, Malins Plaisirs, garnered a Best Ensemble award at the 2005 Canadian Folk Music Awards. The band is currently globe-hopping in support of its latest release, La Bibournoise. Peggy Latkovich talks with flute/fiddle/bass player Alexandre de Grosbois-Garand about Quebec, touring and the playing of crooked tunes.
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